Sessue Hayakawa: Difference between revisions
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Sessue Hayakawa was the first and one of the few Asian American/Asian actors to find stardom in the United States and Europe and was also the first leading Asian male actor in the United States. He became the first male sex symbol of Hollywood long before and the precursor to Rudolph Valentino. His fame rivaled that of Douglas Fairbanks and Charlie Chaplin. His fame began during the silent film era, leading into sound pictures in his later life. He became a film actor in a somewhat reluctant and accidental manner when the famous producer Thomas Ince saw his theatre play The Typhoon and wanted to turn it into a silent film and when it was released the film was an instant hit. With rising stardom he was eventually offered film contract by Famous Players-Lasky now Paramount Pictures. His second film with the production company, The Cheat (1915), was a success and made him a romantic hit with U.S. female audiences. He became a leading man of romance films, considered a heartthrob and a sex symbol; many actresses wanted to work with him in films, in which he was often cast as the exotic male Asian lover that women desired. After years of being typecast as a villain and exotic Asian lover that white women could not have, he decided to start his own production company, where he eventually made 23 films; he produced, starred in, and directed them, and contributed to their design, writing and editing. His films also influenced the way the United States viewed Asians. He personally chose American actress Marin Sais to appear opposite him in his films such as The City of Dim Faces and His Birthright. Hayakawa's collaboration with Sais ended with the film Bonds of Honor (1919). In 1919, Hayakawa made what is generally considered one of his best films, The Dragon Painter. After some bad business, he left the United States and for the next 15 years he worked in Europe and Japan where he made many popular films and plays such as the films The Great Prince Chan and the play Samurai which he performed for the king and queen of the United Kingdom at that time King George V and Queen Mary and a stage play version of The Three Musketeers. His fame in France came from France's fascination with anything Asian. In the 1930s with the rise of Talkies and growing Anti-Japanese sentiment due to World War II. During the war, he tried to perform in Europe but eventually became trapped by the Germans and for years was not able to work as an actor until Humphrey Bogart tracked him and down and offered him a role in his film Tokyo Joe (1949) which became a hit and afterwards he did another successful film Three Came Home (1950). After the war his image in films this time was as the honorable villain which he became typecasted as and from it he starred in what is considered to be his most famous film of his entire career The Bridge on the River Kwai (1957) for which he was nominated for both an Academy Award and Golden Globe Award. On February 8, 1960, in a joint ceremony with Anna May Wong, Hayakawa became the first Asian American actor to receive a star on the Hollywood Walk of Fame. | Sessue Hayakawa was the first and one of the few Asian American/Asian actors to find stardom in the United States and Europe and was also the first leading Asian male actor in the United States. He became the first male sex symbol of Hollywood long before and the precursor to Rudolph Valentino. His fame rivaled that of Douglas Fairbanks and Charlie Chaplin. His fame began during the silent film era, leading into sound pictures in his later life. He became a film actor in a somewhat reluctant and accidental manner when the famous producer Thomas Ince saw his theatre play The Typhoon and wanted to turn it into a silent film and when it was released the film was an instant hit. With rising stardom he was eventually offered film contract by Famous Players-Lasky now Paramount Pictures. His second film with the production company, The Cheat (1915), was a success and made him a romantic hit with U.S. female audiences. He became a leading man of romance films, considered a heartthrob and a sex symbol; many actresses wanted to work with him in films, in which he was often cast as the exotic male Asian lover that women desired. After years of being typecast as a villain and exotic Asian lover that white women could not have, he decided to start his own production company, where he eventually made 23 films; he produced, starred in, and directed them, and contributed to their design, writing and editing. His films also influenced the way the United States viewed Asians. He personally chose American actress Marin Sais to appear opposite him in his films such as The City of Dim Faces and His Birthright. Hayakawa's collaboration with Sais ended with the film Bonds of Honor (1919). In 1919, Hayakawa made what is generally considered one of his best films, The Dragon Painter. After some bad business, he left the United States and for the next 15 years he worked in Europe and Japan where he made many popular films and plays such as the films The Great Prince Chan and the play Samurai which he performed for the king and queen of the United Kingdom at that time King George V and Queen Mary and a stage play version of The Three Musketeers. His fame in France came from France's fascination with anything Asian. In the 1930s with the rise of Talkies and growing Anti-Japanese sentiment due to World War II. During the war, he tried to perform in Europe but eventually became trapped by the Germans and for years was not able to work as an actor until Humphrey Bogart tracked him and down and offered him a role in his film Tokyo Joe (1949) which became a hit and afterwards he did another successful film Three Came Home (1950). After the war his image in films this time was as the honorable villain which he became typecasted as and from it he starred in what is considered to be his most famous film of his entire career The Bridge on the River Kwai (1957) for which he was nominated for both an Academy Award and Golden Globe Award. On February 8, 1960, in a joint ceremony with Anna May Wong, Hayakawa became the first Asian American actor to receive a star on the Hollywood Walk of Fame. | ||
* Also look into his contemporary: [[Tsuru Aoki]] (1892-1961) | |||
==Appearance== | |||
===Late TV Appearances=== | |||
* 1963 Route 66 (TV Series) | |||
** Two Strangers and an Old Enemy (1963) ... Takasuka | |||
* 1958 [[The Geisha Boy (Movie) | The Geisha Boy]] as Mr. Sikita | |||
* 1958 Wagon Train (TV Series) as Sakae Ito | |||
** The Sakae Ito Story (1958) ... Sakae Ito | |||
* 1958 The Red Skelton Hour (TV Series) as Japanese Officer | |||
** Bolivar and the Lost Patrol (1958) ... Japanese Officer | |||
** Episode #7.27 (1958) ... Japanese Officer | |||
* 1958 Studio One (TV Series) as Dr. Sato | |||
** Kurishiki Incident (1958) ... Dr. Sato | |||
* 1958 Kraft Theatre (TV Series) as Japanese soldier | |||
** The Sea Is Boiling Hot (1958) ... Japanese soldier | |||
===Late Films=== | |||
Final Films | |||
* Junjô nijûsô (1967) as Tajima (final film role) | |||
* The Daydreamer (1966) as The Mole (voice) | |||
* The Big Wave (1961) as The Old Man | |||
* Swiss Family Robinson (1960) as Kuala, Pirate Chief | |||
* Hell to Eternity (1960) as Gen. Matsui | |||
* Green Mansions (1959) as Runi | |||
* [[The Geisha Boy (Movie) | The Geisha Boy]] (1958) as Mr. Sikita | |||
* The Bridge on the River Kwai (1957) (for which he was nominated for an Academy Award for Best Supporting Actor) as Colonel Saito | |||
* House of Bamboo (1955) as Insp. Kita (dubbed by Richard Loo) | |||
* Nihon yaburezu (1954) | |||
* Kurama Tengu to Katsu Kaishû (1953) as Awanokami Katsu | |||
* Onna kanja himon - Akô rôshi (1953) as Sakon Tachibana | |||
* Re mizeraburu: kami to jiyu no hata (1950) | |||
* Re mizeraburu: kami to akuma (1950) | |||
* Harukanari haha no kuni (1950) as Joe Hayami | |||
* Three Came Home (1950) as Col. Mitsuo Suga | |||
* [[Tokyo Joe (Movie) | Tokyo Joe]] (1949) as Baron Kimura | |||
===Early Era Films=== | |||
* 1947 Quartier chinois as Tchang | |||
* 1946 Le cabaret du grand large as Professeur Wang | |||
* 1943 Le soleil de minuit as Matsui | |||
* 1943 Malaria as Saïdi | |||
* 1942 Gambling Hell as Ying Tchaï | |||
* 1942 Patrouille blanche as Halloway | |||
* 1938 Tempête sur l'Asie as Le prince Ling | |||
* 1937 The Cheat as Prince Hu-Long | |||
* 1937 Yoshiwara as Ysamo, Kuli | |||
* 1937 Atarashiki tsuchi as Iwao Yamato | |||
* 1935 Kuni o mamoru mono: Nichiren as Nichiren | |||
* 1935 Tôjin Okichi as Townsend Harris | |||
*1934 Bakugeki hikôtai | |||
* 1932 The Sun Rise from the East as Kenji | |||
* 1932 Running Hollywood (Short) as Sessue Hayakawa | |||
* 1931 Daughter of the Dragon as Ah Kee | |||
* 1929 Sessue Hayakawa in 'the Man Who Laughed Last' (Short) | |||
* 1924 Have Killed as Hideo - l'antiquaire japonais | |||
* 1924 Sen Yan's Devotion as Sen Yan | |||
* 1924 The Great Prince Shan as Prince Shan | |||
* 1924 The Danger Line as Marquis Yorisaka | |||
* 1923 The Battle as Le Marquis Yorisaka | |||
* 1922 The Vermilion Pencil as Tse Chan / The Unknown / Li Chan | |||
* 1922 Five Days to Live as Tai Leung | |||
* 1921 The Swamp as Wang | |||
* 1921 Where Lights Are Low as T'Su Wong Shih | |||
* 1921 Black Roses vYoda | |||
* 1921 The First Born as Chan Wang | |||
* 1920 An Arabian Knight as Ahmed | |||
* 1920 Li Ting Lang as Li Ting Lang | |||
* 1920 The Devil's Claim as Akbar Khan / Hassan | |||
* 1920 The Brand of Lopez as Vasco Lopez | |||
* 1920 The Beggar Prince as Nikki / Prince | |||
* 1919 The Tong Man as Luk Chen | |||
* 1919 The Illustrious Prince as Prince Maiyo | |||
* 1919 The Dragon Painter as Tatsu - The Dragon Painter | |||
* 1919 The Gray Horizon as Yamo Masata | |||
* 1919 The Man Beneath as Dr. Chindi Ashutor | |||
* 1919 His Debt as Goto Mariyama | |||
* 1919 The Courageous Coward as Suki Iota | |||
* 1919 A Heart in Pawn as Tomaya | |||
* 1919 Bonds of Honor as Yamashito / Sasamoto | |||
* 1918 Banzai (Short) as The American General | |||
* 1918 The Temple of Dusk as Akira | |||
* 1918 His Birthright as Yukio | |||
* 1918 The City of Dim Faces as Jang Lung | |||
* 1918 The Bravest Way as Kara Tamura | |||
* 1918 The White Man's Law as John A. Genghis | |||
* 1918 The Honor of His House as Count Ito Onato | |||
* 1918 The Hidden Pearls as Tom Garvin | |||
* 1917 The Secret Game as Nara-Nara | |||
* 1917 The Call of the East as Arai Takada | |||
* 1917 Hashimura Togo as Hashimura Togo | |||
* 1917 Forbidden Paths as Sato | |||
* 1917 The Jaguar's Claws as El Jaguar | |||
* 1917 The Bottle Imp as Lopaka | |||
* 1917 Each to His Kind as Rhandah | |||
* 1916 The Victoria Cross as Azimoolah | |||
* 1916 The Soul of Kura San as Toyo | |||
* 1916 The Honorable Friend as Makino | |||
* 1916 Alien Souls as Sakata | |||
* 1915 Temptation as Opera Admirer | |||
* 1915 The Cheat as Hishuru Tori (original release) / Haka Arakau (in 1918 re-release) | |||
* 1915 The Secret Sin as Lin Foo | |||
* 1915 The Clue as Nogi | |||
* 1915 The Chinatown Mystery (Short) as Yo Hong | |||
* 1915 The Famine (Short) as Horisho | |||
* 1915 After Five as Oki - the Valet | |||
* 1914 The Last of the Line (Short) as Tiah - Gray Otter's Son | |||
* 1914 Mother of the Shadows (Short) as Running Elk | |||
* 1914 The Vigil (Short) as Kenjiro | |||
* 1914 Nipped (Short) as Taro Kamura | |||
* 1914 The Hateful God (Short) (unconfirmed) | |||
* 1914 The Typhoon as Tokorama | |||
* 1914 The Death Mask (Short) as Running Wolf | |||
* 1914 The Village 'Neath the Sea (Short) as Red Elk | |||
* 1914 The Curse of Caste (Short) as Kato Matsumoto | |||
* 1914 A Relic of Old Japan (Short) as Koto | |||
* 1914 A Tragedy of the Orient (Short) as Kato | |||
* 1914 The Wrath of the Gods as Lord Yamaki | |||
* 1914 The Ambassador's Envoy (Short) as Kamuri | |||
* 1914 The Geisha (Short) as Takura | |||
* 1914 The Courtship of O San (Short) as Shotoku | |||
* 1914 O Mimi San (Short) as Yorotomo | |||
[[Category:Needs Love]][[Category:Actors]][[Category:1886 Births]][[Category: Film & TV]] | [[Category:Needs Love]][[Category:Actors]][[Category:1886 Births]][[Category: Film & TV]] | ||
[[Category: June 10 Births]] | [[Category: June 10 Births]] |
Revision as of 21:51, 13 October 2022
Kintaro Hayakawa (早川 金太郎 ; June 10, 1886 – November 23, 1973), known professionally as Sessue Hayakawa (早川 雪洲), was a Japanese actor and a matinée idol. He was one of the most popular stars in Hollywood during the silent film era of the 1910s and early 1920s. Hayakawa was the first actor of Asian descent to achieve stardom as a leading man in the United States and Europe. His "broodingly handsome" good looks and typecasting as a sexually dominant villain made him a heartthrob among American women during a time of racial discrimination, and he became one of the first male sex symbols of Hollywood.
He made his breakthrough in The Cheat (1915), and thereafter became famous for his roles as a forbidden lover. Hayakawa was a highly paid star of his time, earning $3,500 a week in 1919 and $2 million through his own production company from 1918 to 1920. Because of rising anti-Japanese sentiment and business difficulties, Hayakawa left Hollywood in 1922 and performed on Broadway and in Japan and Europe for many years before making his Hollywood comeback in Daughter of the Dragon (1931).
Of his talkies, Hayakawa is probably best known for his role as Kuala, the pirate captain in Swiss Family Robinson (1960 film) and Colonel Saito in The Bridge on the River Kwai (1957), for which he earned a nomination for the Academy Award for Best Supporting Actor. Hayakawa starred in over 80 feature films, and three of his films (The Cheat, The Dragon Painter, and The Bridge on the River Kwai) stand in the United States National Film Registry.
Sessue Hayakawa was the first and one of the few Asian American/Asian actors to find stardom in the United States and Europe and was also the first leading Asian male actor in the United States. He became the first male sex symbol of Hollywood long before and the precursor to Rudolph Valentino. His fame rivaled that of Douglas Fairbanks and Charlie Chaplin. His fame began during the silent film era, leading into sound pictures in his later life. He became a film actor in a somewhat reluctant and accidental manner when the famous producer Thomas Ince saw his theatre play The Typhoon and wanted to turn it into a silent film and when it was released the film was an instant hit. With rising stardom he was eventually offered film contract by Famous Players-Lasky now Paramount Pictures. His second film with the production company, The Cheat (1915), was a success and made him a romantic hit with U.S. female audiences. He became a leading man of romance films, considered a heartthrob and a sex symbol; many actresses wanted to work with him in films, in which he was often cast as the exotic male Asian lover that women desired. After years of being typecast as a villain and exotic Asian lover that white women could not have, he decided to start his own production company, where he eventually made 23 films; he produced, starred in, and directed them, and contributed to their design, writing and editing. His films also influenced the way the United States viewed Asians. He personally chose American actress Marin Sais to appear opposite him in his films such as The City of Dim Faces and His Birthright. Hayakawa's collaboration with Sais ended with the film Bonds of Honor (1919). In 1919, Hayakawa made what is generally considered one of his best films, The Dragon Painter. After some bad business, he left the United States and for the next 15 years he worked in Europe and Japan where he made many popular films and plays such as the films The Great Prince Chan and the play Samurai which he performed for the king and queen of the United Kingdom at that time King George V and Queen Mary and a stage play version of The Three Musketeers. His fame in France came from France's fascination with anything Asian. In the 1930s with the rise of Talkies and growing Anti-Japanese sentiment due to World War II. During the war, he tried to perform in Europe but eventually became trapped by the Germans and for years was not able to work as an actor until Humphrey Bogart tracked him and down and offered him a role in his film Tokyo Joe (1949) which became a hit and afterwards he did another successful film Three Came Home (1950). After the war his image in films this time was as the honorable villain which he became typecasted as and from it he starred in what is considered to be his most famous film of his entire career The Bridge on the River Kwai (1957) for which he was nominated for both an Academy Award and Golden Globe Award. On February 8, 1960, in a joint ceremony with Anna May Wong, Hayakawa became the first Asian American actor to receive a star on the Hollywood Walk of Fame.
- Also look into his contemporary: Tsuru Aoki (1892-1961)
Appearance
Late TV Appearances
- 1963 Route 66 (TV Series)
- Two Strangers and an Old Enemy (1963) ... Takasuka
- 1958 The Geisha Boy as Mr. Sikita
- 1958 Wagon Train (TV Series) as Sakae Ito
- The Sakae Ito Story (1958) ... Sakae Ito
* 1958 The Red Skelton Hour (TV Series) as Japanese Officer
- Bolivar and the Lost Patrol (1958) ... Japanese Officer
- Episode #7.27 (1958) ... Japanese Officer
- 1958 Studio One (TV Series) as Dr. Sato
- Kurishiki Incident (1958) ... Dr. Sato
- 1958 Kraft Theatre (TV Series) as Japanese soldier
- The Sea Is Boiling Hot (1958) ... Japanese soldier
Late Films
Final Films
- Junjô nijûsô (1967) as Tajima (final film role)
- The Daydreamer (1966) as The Mole (voice)
- The Big Wave (1961) as The Old Man
- Swiss Family Robinson (1960) as Kuala, Pirate Chief
- Hell to Eternity (1960) as Gen. Matsui
- Green Mansions (1959) as Runi
- The Geisha Boy (1958) as Mr. Sikita
- The Bridge on the River Kwai (1957) (for which he was nominated for an Academy Award for Best Supporting Actor) as Colonel Saito
- House of Bamboo (1955) as Insp. Kita (dubbed by Richard Loo)
- Nihon yaburezu (1954)
- Kurama Tengu to Katsu Kaishû (1953) as Awanokami Katsu
- Onna kanja himon - Akô rôshi (1953) as Sakon Tachibana
- Re mizeraburu: kami to jiyu no hata (1950)
- Re mizeraburu: kami to akuma (1950)
- Harukanari haha no kuni (1950) as Joe Hayami
- Three Came Home (1950) as Col. Mitsuo Suga
- Tokyo Joe (1949) as Baron Kimura
Early Era Films
- 1947 Quartier chinois as Tchang
- 1946 Le cabaret du grand large as Professeur Wang
- 1943 Le soleil de minuit as Matsui
- 1943 Malaria as Saïdi
- 1942 Gambling Hell as Ying Tchaï
- 1942 Patrouille blanche as Halloway
- 1938 Tempête sur l'Asie as Le prince Ling
- 1937 The Cheat as Prince Hu-Long
- 1937 Yoshiwara as Ysamo, Kuli
- 1937 Atarashiki tsuchi as Iwao Yamato
- 1935 Kuni o mamoru mono: Nichiren as Nichiren
- 1935 Tôjin Okichi as Townsend Harris
- 1934 Bakugeki hikôtai
- 1932 The Sun Rise from the East as Kenji
- 1932 Running Hollywood (Short) as Sessue Hayakawa
- 1931 Daughter of the Dragon as Ah Kee
- 1929 Sessue Hayakawa in 'the Man Who Laughed Last' (Short)
- 1924 Have Killed as Hideo - l'antiquaire japonais
- 1924 Sen Yan's Devotion as Sen Yan
- 1924 The Great Prince Shan as Prince Shan
- 1924 The Danger Line as Marquis Yorisaka
- 1923 The Battle as Le Marquis Yorisaka
- 1922 The Vermilion Pencil as Tse Chan / The Unknown / Li Chan
- 1922 Five Days to Live as Tai Leung
- 1921 The Swamp as Wang
- 1921 Where Lights Are Low as T'Su Wong Shih
- 1921 Black Roses vYoda
- 1921 The First Born as Chan Wang
- 1920 An Arabian Knight as Ahmed
- 1920 Li Ting Lang as Li Ting Lang
- 1920 The Devil's Claim as Akbar Khan / Hassan
- 1920 The Brand of Lopez as Vasco Lopez
- 1920 The Beggar Prince as Nikki / Prince
- 1919 The Tong Man as Luk Chen
- 1919 The Illustrious Prince as Prince Maiyo
- 1919 The Dragon Painter as Tatsu - The Dragon Painter
- 1919 The Gray Horizon as Yamo Masata
- 1919 The Man Beneath as Dr. Chindi Ashutor
- 1919 His Debt as Goto Mariyama
- 1919 The Courageous Coward as Suki Iota
- 1919 A Heart in Pawn as Tomaya
- 1919 Bonds of Honor as Yamashito / Sasamoto
- 1918 Banzai (Short) as The American General
- 1918 The Temple of Dusk as Akira
- 1918 His Birthright as Yukio
- 1918 The City of Dim Faces as Jang Lung
- 1918 The Bravest Way as Kara Tamura
- 1918 The White Man's Law as John A. Genghis
- 1918 The Honor of His House as Count Ito Onato
- 1918 The Hidden Pearls as Tom Garvin
- 1917 The Secret Game as Nara-Nara
- 1917 The Call of the East as Arai Takada
- 1917 Hashimura Togo as Hashimura Togo
- 1917 Forbidden Paths as Sato
- 1917 The Jaguar's Claws as El Jaguar
- 1917 The Bottle Imp as Lopaka
- 1917 Each to His Kind as Rhandah
- 1916 The Victoria Cross as Azimoolah
- 1916 The Soul of Kura San as Toyo
- 1916 The Honorable Friend as Makino
- 1916 Alien Souls as Sakata
- 1915 Temptation as Opera Admirer
- 1915 The Cheat as Hishuru Tori (original release) / Haka Arakau (in 1918 re-release)
- 1915 The Secret Sin as Lin Foo
- 1915 The Clue as Nogi
- 1915 The Chinatown Mystery (Short) as Yo Hong
- 1915 The Famine (Short) as Horisho
- 1915 After Five as Oki - the Valet
- 1914 The Last of the Line (Short) as Tiah - Gray Otter's Son
- 1914 Mother of the Shadows (Short) as Running Elk
- 1914 The Vigil (Short) as Kenjiro
- 1914 Nipped (Short) as Taro Kamura
- 1914 The Hateful God (Short) (unconfirmed)
- 1914 The Typhoon as Tokorama
- 1914 The Death Mask (Short) as Running Wolf
- 1914 The Village 'Neath the Sea (Short) as Red Elk
- 1914 The Curse of Caste (Short) as Kato Matsumoto
- 1914 A Relic of Old Japan (Short) as Koto
- 1914 A Tragedy of the Orient (Short) as Kato
- 1914 The Wrath of the Gods as Lord Yamaki
- 1914 The Ambassador's Envoy (Short) as Kamuri
- 1914 The Geisha (Short) as Takura
- 1914 The Courtship of O San (Short) as Shotoku
- 1914 O Mimi San (Short) as Yorotomo