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[[File:Seri-ishikawa-300x300.jpg|right|thumb|frameless|300px|link=Seri Ishikawa|Seri Ishikawa]] | [[File:Seri-ishikawa-300x300.jpg|right|thumb|frameless|300px|link=Seri Ishikawa|Seri Ishikawa]] | ||
Iroke kayōkyoku (iroke for sex appeal, kayōkyoku for vocal music) has been described as a sex-mad alternative to enka (“speech music”). Where enka was sad songs who's popularity peaked in the 40s, in Japan. Iroke Kayōkyoku, also known as, 'pink blues', started in the 60s and peaked during the 70s. | Iroke kayōkyoku (iroke for sex appeal, kayōkyoku for vocal music) has been described as a sex-mad alternative to enka (“speech music”). Where enka was sad songs who's popularity peaked in the 40s, in Japan. Iroke Kayōkyoku, also known as, 'pink blues', started in the 60s and peaked during the 70s. | ||
Probably the most outspokenly perverse iroke kayōkyoku album is [[Ike Reiko]]'s Kokotsu No Sekai (The Ecstatic World Of Ike Reiko). | Probably the most outspokenly perverse iroke kayōkyoku album is [[Ike Reiko]]'s Kokotsu No Sekai (The Ecstatic World Of Ike Reiko). Other notable albums were | ||