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| * Penciller (Cover): Seth Fisher | | * Penciller (Cover): Seth Fisher |
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| In Tokyo Japan there are celebrations over the last monster attack on the country. With the mecha, Otetsukun standing as a monument over the Giant Monster Museum & Expo Center which is now opening to the public. Special guests to appear at the museum are the American heroes known as the Fantastic Four who spent a better part of their earlier career fighting giant monsters. After the ribbon cutting ceremony the Fantastic Four are brought to the museum's curator Dr. Yamane who shows them around. He explains that the museum is a storehouse of Japans history dealing with giant monsters and displays the various creatures as well as the technology created to stop them. As they go on the tour, Dr. Yamane and Reed theorise that the emergence of super-heroes happened at the same time that the frequent monster attacks began to stop and suspect the two are closely related.
| | While action and drama typically drive Wolverine’s journeys to Japan, “fun” fueled this comic by Zeb Wells and the late Seth Fisher. The Fantastic Four head abroad for a ribbon-cutting ceremony at Tokyo’s new Giant Monster Museum and Expo Center, when—you guessed it—giant monsters attack. Luckily Iron Man also had business in the area and joined the fray. Fisher created each monster as a dedicated work of art for an insanely delightful story that never lets up. |
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| The doctor takes them into another section of the museum where he displays various creatures that were created by the Japanese military as bio-weapons. This is fascinating to Mister Fantastic, but he also expresses his concerns over the ethics of doing such things. While Dr. Yamane assures them that everything is safe there is commotion in the other room. They go and see that it is women fawning over the arrival of Tony Stark, who has come to consider partnering Stark Enterprises with the museum.
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