Category:Kayōkyoku: Difference between revisions
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[[File:Seri-ishikawa-300x300.jpg|right|thumb|frameless|300px|link=Seri Ishikawa|Seri Ishikawa]] | |||
Iroke kayōkyoku (iroke for sex appeal, kayōkyoku for vocal music) has been described as a sex-mad alternative to enka (“speech music”). Where enka was sad songs who's popularity peaked in the 40s, in Japan. Iroke Kayōkyoku, also known as, 'pink blues', started in the 60s and peaked during the 70s. | Iroke kayōkyoku (iroke for sex appeal, kayōkyoku for vocal music) has been described as a sex-mad alternative to enka (“speech music”). Where enka was sad songs who's popularity peaked in the 40s, in Japan. Iroke Kayōkyoku, also known as, 'pink blues', started in the 60s and peaked during the 70s. | ||
Probably the most outspokenly perverse iroke kayōkyoku album is [[Ike Reiko]]'s Kokotsu No Sekai (The Ecstatic World Of Ike Reiko). Other notable albums were | Probably the most outspokenly perverse iroke kayōkyoku album is [[Ike Reiko]]'s Kokotsu No Sekai (The Ecstatic World Of Ike Reiko). Other notable albums were | ||
Revision as of 18:48, 13 April 2020
Iroke kayōkyoku (iroke for sex appeal, kayōkyoku for vocal music) has been described as a sex-mad alternative to enka (“speech music”). Where enka was sad songs who's popularity peaked in the 40s, in Japan. Iroke Kayōkyoku, also known as, 'pink blues', started in the 60s and peaked during the 70s.
Probably the most outspokenly perverse iroke kayōkyoku album is Ike Reiko's Kokotsu No Sekai (The Ecstatic World Of Ike Reiko). Other notable albums were
Subcategories
This category has the following 2 subcategories, out of 2 total.
Pages in category "Kayōkyoku"
The following 22 pages are in this category, out of 22 total.